31 Days to Better Sounding Drums: Define Your Own Sound [Part 2 of 31]

by Travis Whitmore on 07/02/2011 · 4 comments

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Great sounding drums is quite honestly a matter of opinion. What one drummer likes to hear and feel when sitting behind the drum set can certainly be the exact opposite of another drummer. The type of music that’s being played and the style of playing all contribute to what’s considered great. Whether you’re in a studio session, playing live in front of 20,000 screaming fans or gigging in a small coffee shop or club, the sound of the drum kit is completely subjective.

The Best of What’s Around

More often than not, it’s so easy to fall into the trap of the best of the best. Marketing departments in the music industry today are really good at putting a high price tag on the latest and “greatest” drum head, drum shell or cymbal. I’ll admit, I tend to get pulled down this path from time to time as well. However, I’ve learned over time that the “newest” cymbal that is claiming to be the “best” (for example) just doesn’t fit in with the rest of my sound. The same goes for any music related gear out there these days. If you’re spending more time collecting the best of what’s around, you’ve missed the point.

Define Who You Are as a Musician

Don’t get me wrong, I love talking about gear. I’ll be the first to admit, I enjoy getting into conversations about shell thickness, tone, resonance, brilliance, etc. But, the reason I sometimes will dig into the specifics of things, is because I know what sound I’m looking for. If you haven’t already done so, take a good hard look at what kind of drummer you are or want to be. Do you like a really resonant tom sound that sings and sustains or do you prefer a full bodied thud? Do you like dark and warm tones or lively and bright? It’s a beautiful thing to be inspired by other drummers. However, be careful to not just run out and purchase the exact same gear that your favorite drummer uses. Just because Carter Beauford uses Coated Ambassadors, doesn’t mean they suit your style.

Realize Your Skill Level

If you’re a beginner, buying the most expensive drum set on the market is not a good idea. Over and beyond the price tag, if you haven’t figured how to properly tune your drums to a specific sound that you like – the shell thickness and ply count is pointless. Even if you consider yourself an experienced or professional drummer, take the time to define who you are. Ask yourself the following questions:

  • What aspect of your current set up sounds really good?
  • What makes you cringe every time you sit down to play?
  • What about your current set up is just uncomfortable?
  • Ask your band mates! What do they honestly think about the blend of your drums with the music?

Before anything else, take note of the answers. For example, perhaps that splash cymbal doesn’t fit with the rest of your cymbal collection. Or maybe your floor tom is tuned higher than your rack toms. No matter your situation, literally write down the kind of drummer that you want to be and define your own unique sound. Once you do, you’ll be glad you did. It can only get easier from here.

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  • Toby Baxley

    Great post, Travis! How do you define your sound when each client is looking for something different? Does it matter? Does the client’s needs affect your sound or does your sound re-shape the client’s expectation.

  • http://twitter.com/HastingsCutoff Joe Cushman

    I love that you, Joe, and Graham are all doing/have done these 30 or so days to getter sound/mixes/recordings/whatever.  They are extremely beneficial, especially in the sense that they cover very basic things and things that maybe a person wouldn’t normally think of.  Keep up the good work!

  • http://silverlakestudio.com Travis Whitmore

    Thanks for checking it out Joe!

  • http://silverlakestudio.com Travis Whitmore

    Great question Toby. For me, the foundation of my ‘sound’ stays consistent for all clients. On the other hand, I will still perhaps pick different cymbals, snares, etc depending on the direction and style…