Get it Right at the Source

by Travis Whitmore on 04/12/2011 · 10 comments

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How many times have you heard this saying? It’s almost gotten to be a cliche around the recording blog world these days. I think Joe over at Home Studio Corner has wrote about this at least a thousand times. It’s something, however, that I believe needs repeating. And it’s one that I am constantly reminding myself of in the studio. From musician friends to readers of this blog, it’s amazing how many questions I’ve received about what kind of mics I’m using. Of course, the recommendations follow: “Oh man, you should try the enter mic of choice here on your kick drum – best mic money can buy.” Or how about, “Hey man, what’s the BEST microphone for recording vocals?” Have you fallen into this trap? I know I have.

Great Mic + Bad Source

I had the opportunity to chat with a retired engineer last week in the studio. We talked everything from building out a studio to taking advantage of the room(s) that you have. This guy has built major commercial recording studios and has designed acoustically treated rooms for over 30 years. He has a crazy wealth of knowledge and I was all ears. The overall theme of the discussion was about the source. The one quote that resonated with me was this:

“A bad source coupled with really expensive mics and gear is like comparing manure. It’s STILL manure, it just smells really, really bad!”

Not Just About Microphones and Instruments

Changing your mindset about getting things right at the source isn’t just about what microphone you’re using or how in tune your guitar is. For example, another question that I get a lot pertains to drum gear. “Travis, what’s the best kick pedal on the market these days?” OR – “What’s the best drum head for recording?” While these are very valid questions, don’t miss the point. Perhaps instead of buying another kick pedal, you should think about adjusting the spring tension based on your playing style. Or instead of stressing about the kind of heads you’re using, perhaps just retune the heads based on the room you’re in. In fact, your room is probably the most important source to consider. Even before tuning your guitar and choosing your mic – how does your guitar sound in that room? Not great? Move around until it does and then hit record, but not before.

YOU are the source. After everything else is said and done, the bottom line is that you are the most important factor. If everything else is dialed in, but there’s still something not quite right, look inward. Is your playing too messy? Are you pounding the drums and cymbals like an animal? Are you singing through your nose? Know what I mean?

What do you think? I’d love to hear some feedback – Leave your comments.

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  • http://www.homestudiocorner.com Joe Gilder

    100% agree.

    The hard part is if you’re the musician AND the engineer. It’s hard to know where in the room the guitar/drums sound the best, because you’re too busy PLAYING them to listen.

    I suppose it would behoove us all to spend a day miking up the instrument in several different locations within the room, then listening to find out which locations sounds the best.

    I recently switched rooms for my studio, and as I was installing the acoustic treatment, I treated one corner fairly heavily, with foam on both sides of the corner. The other corner I left untreated (on the lower half of the wall). Now I have two places to track acoustic guitar. One “dead” corner and one “live” corner.

    I need to do a shootout and report my findings.

  • http://twitter.com/travisWhitmore Travis Whitmore

    Great idea Joe. I’d love to hear the differences on the corners. And you’re right, it’s certainly not easy wearing the musician AND the engineer hat. I’ve found if I get levels and sounds on a separate day than actually tracking, it helps me not lose focus.

  • Andrew Bennekamper

    As my mother used to say, “If you put crap in, you’ll get crap out.” I think the concept of “fixing it later in the mix” is a big problem. If you want to make money in this business, you need to take the time to learn the difference between good sounds and bad sounds. It will also help you to know when you can’t perform miracles because the quality of the source recording is poor.

  • http://twitter.com/travisWhitmore Travis Whitmore

    Great points Andrew.

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